The Empire Strikes Back

The Empire Strikes Back (also known as Star Wars: Episode V – The Empire Strikes Back) is a 1980 American epic space-opera film directed by Irvin Kershner. Leigh Brackett and Lawrence Kasdan wrote the screenplay, with George Lucas writing the film's story and serving as executive producer. The second installment in the original Star Wars trilogy, it was produced by Gary Kurtz for Lucasfilm and stars Mark Hamill, Harrison Ford, Carrie Fisher, Billy Dee Williams, Anthony Daniels, David Prowse, Kenny Baker, Peter Mayhew, and Frank Oz. It is the fifth film (though the second in release order) in the nine-part “Skywalker saga”.

The film is set three years after Star Wars. The Galactic Empire, under the leadership of the villainous Darth Vader and the mysterious Emperor, is in pursuit of Luke Skywalker and the rest of the Rebel Alliance. While Vader relentlessly pursues the small band of Luke's friends—Han Solo, Princess Leia Organa, and others—across the galaxy, Luke studies the Force under Jedi Master Yoda. When Vader captures Luke's friends, Luke must decide whether to complete his training and become a Jedi Knight or to confront Vader and save them.

Following a difficult production, The Empire Strikes Back was released on May 21, 1980. It received mixed reviews from critics initially but has since grown in esteem, becoming the most critically acclaimed film in the Star Wars franchise; it is now widely regarded as one of the greatest films of all time. The film ranked at #3 on Empire's 2008 list of the 500 greatest movies of all time. It became the highest-grossing film of 1980 and, to date, has earned more than $538 million worldwide from its original run and several re-releases. When adjusted for inflation, it is the second-highest-grossing sequel of all time and the 13th-highest-grossing film in North America. The film was followed by Return of the Jedi, which was released in 1983.

In 2010, the film was selected for preservation in the United States' National Film Registry by the Library of Congress for being "culturally, historically, and aesthetically significant".

Plot
Three years after the destruction of the Death Star, the Rebel Alliance, led by Princess Leia, has set up a new base on the ice planet of Hoth. The Imperial fleet, led by Darth Vader, continues to hunt for the new Rebel base by dispatching probe droids across the galaxy. Luke Skywalker is captured by a wampa while investigating one such probe, but manages to escape from the wampa's lair with his lightsaber. Before Luke succumbs to hypothermic sleep, the Force spirit of his deceased mentor, Obi-Wan Kenobi, instructs him to go to Dagobah to train under Jedi Master Yoda. Han Solo locates Luke, and the two are rescued by a search party the next morning.

Meanwhile, the probe alerts the Imperial fleet to the Rebels' location. The Empire launches a large-scale attack using AT-AT walkers to capture the base, which forces the Rebels to retreat. Han and Leia escape with C-3PO and Chewbacca on the Millennium Falcon, but the ship's hyperdrive malfunctions. They hide in an asteroid field, where Han and Leia grow closer amidst tension and briefly kiss. Vader summons bounty hunters to assist in finding the Falcon. Luke, meanwhile, escapes with R2-D2 in his X-wing fighter and crash-lands on the swamp planet of Dagobah. He meets a diminutive creature who reveals himself to be Yoda; after conferring with Obi-Wan's spirit, Yoda reluctantly accepts Luke as his student.

After evading the Imperial fleet, Han's group travels to the floating Cloud City on the gas planet of Bespin, which is run by Han's old friend, Lando Calrissian. Unbeknownst to the group, the bounty hunter Boba Fett has tracked the Falcon; shortly after their arrival, Lando betrays the group to Darth Vader. Vader plans to use the group as bait to lure out Luke, intending to capture him and take him to Emperor Palpatine. Luke experiences a premonition of Han and Leia in pain and, against the wishes of Yoda and Obi-Wan, abandons his training to rescue them.

Intending to hold Luke in suspended animation by imprisoning him in carbonite, Vader selects Han to be frozen as a test subject. Han survives the process and is given to Fett, who plans to collect the bounty on him from Jabba the Hutt. Lando frees Leia and Chewbacca, but they are too late to stop Fett from departing with Solo aboard. They fight their way back to the Falcon and flee the city. Meanwhile, Luke arrives and engages Vader in a lightsaber duel that leads them over the city's central air shaft. Vader severs Luke's right hand, disarming him, and tempts him to join the dark side. Luke accuses Vader of murdering his father, but Vader reveals that he is Luke's father. Horrified, Luke drops into the air shaft and is ejected beneath the floating city, where he hangs on an antenna. He reaches out telepathically to Leia, who senses him and persuades Lando and Chewie to turn back. After Luke is brought aboard, they are chased by TIE fighters towards Vader on his Star Destroyer, but R2-D2 reactivates the Falcon's hyperdrive, allowing them to escape.

Rejoined with the Rebel fleet, Luke's severed hand is replaced with a robotic hand. Lando and Chewbacca depart in the Falcon to save Han.

Cast

 * Mark Hamill as Luke Skywalker, a Jedi in training
 * Harrison Ford as Han Solo, a smuggler and captain of the Millennium Falcon
 * Carrie Fisher as Leia Organa, a leader of the Rebel Alliance
 * Billy Dee Williams as Lando Calrissian, the administrator of Cloud City and an old acquaintance of Han
 * Anthony Daniels as C-3PO, a humanoid protocol droid in the Alliance
 * David Prowse as Darth Vader, Luke's father, a warrior of the dark side of the Force and the Emperor's second-in command
 * James Earl Jones as the voice of Vader
 * Peter Mayhew as Chewbacca, a Wookiee and loyal friend to Han
 * Kenny Baker as R2-D2, an astromech droid in the Rebellion and C-3PO's counterpart
 * Frank Oz as Yoda, a wise, centuries-old Jedi Master, who is self-exiled on Dagobah. Oz was assisted by several other performers, including Kathryn Mullen, David Barclay, Wendy Froud, and Deep Roy.
 * Jeremy Bulloch as Boba Fett, a bounty hunter hired by Vader. Jason Wingreen originally provided Fett's voice, but in 2004, Temuera Morrison, who played Jango Fett in Attack of the Clones, replaced Wingreen as Fett's voice.
 * Multiple actors have portrayed the Emperor, the evil ruler of the Galactic Empire and Vader's powerful Sith Master, who appears via hologram. Clive Revill originally provided his voice, while actress Marjorie Eaton portrayed him physically, wearing a mask. Ultimately the actress and voice actor were replaced by Ian McDiarmid, who portrayed the character in later films, for the 2004 DVD edition and subsequent releases.
 * Alec Guinness appears as the Force spirit of Obi-Wan Kenobi, Luke's deceased mentor, who guides him to Yoda.

Denis Lawson reprises his role as Wedge Antilles from the first film. John Hollis plays Lobot, Lando's personal aide. Julian Glover appears as General Veers, a general who leads the Empire in the battle of Hoth. Kenneth Colley portrays Admiral Piett, the Empire's top admiral. Michael Sheard portrayed Admiral Ozzel, Vader's previous admiral. Michael Culver appears as Captain Needa, one of the Empire's captains who failed to catch the Millennium Falcon. John Ratzenberger portrays Major Derlin, one of the officers who leads the Rebels in the Battle of Hoth. Bruce Boa appears as General Rieekan, Princess Leia's military advisor on Hoth. Christopher Malcolm plays Rebel snowspeeder pilot Zev Senesca, who finds Skywalker and Solo on the surface of Hoth. and John Morton portrays Dak Ralter, Luke's gunner in the battle of Hoth who was killed by an AT-AT. Richard Oldfield portrayed Rebel pilot Hobbie Klivian.

Morris Bush portrays the bounty hunter Dengar, Alan Harris portrays the bounty hunter Bossk and Chris Parsons portrays the robotic bounty hunter 4-LOM.

Development
George Lucas' 1977 film Star Wars exceeded all expectations in terms of profit, had a revolutionary effect on the film industry, and had an unexpected resonance as a cultural phenomenon. Lucas hoped to become independent from the Hollywood film industry, choosing to finance The Empire Strikes Back himself with $33 million from loans and the previous film's earnings, going against the principles of many Hollywood producers never to invest one's own money. Now fully in command of his Star Wars enterprise, Lucas chose not to direct The Empire Strikes Back because of his other production roles, including overseeing his special effects company Industrial Light & Magic (ILM) and handling of the financing. Lucas offered the role of director to Irvin Kershner, one of his former professors at the USC School of Cinematic Arts. Kershner was known for smaller-scale, character-driven films, but had more recently directed the true-life drama Raid on Entebbe (1977) and the thriller Eyes of Laura Mars (1978). Kershner initially turned Lucas down, citing his belief that a sequel would never meet the quality or originality of Star Wars. He called his agent, who immediately demanded that he take the job.

Writing
Lucas hired science fiction author Leigh Brackett to write Star Wars II with him. They held story conferences and, by late November 1977, Lucas had produced a handwritten treatment called The Empire Strikes Back. The treatment is similar to the final film, except that Darth Vader does not reveal he is Luke's father. In the first draft that Brackett would write from this, Luke's father appears as a ghost to instruct Luke.

Brackett finished her first draft in early 1978; Lucas has said he was disappointed with it, but before he could discuss it with her, she died of cancer. With no writer available, Lucas had to write his next draft himself. It was this draft in which Lucas first made use of the "Episode" numbering for the films; The Empire Strikes Back was distinguished Episode II. His disappointment with the first draft probably made Lucas consider different directions in which to take the story. He made use of a new plot twist: Darth Vader claims to be Luke's father. According to Lucas, he found this draft enjoyable to write, as opposed to the yearlong struggles writing the first film, and quickly wrote two more drafts, all in April 1978.

This plot twist of Vader being Luke's father had drastic effects on the series, which would include the audience's interpretation of the original film. Lucas outlined a new backstory: Anakin Skywalker had been Ben Kenobi's brilliant student, and had a child named Luke, but was swayed to the dark side by the Emperor (who was really a Sith Lord). Anakin battled Ben Kenobi on the site of a volcano and was horribly wounded, but was resurrected as Darth Vader. Meanwhile, Kenobi hid Luke on Tatooine while the Republic became the Empire and Vader systematically hunted down the Jedi.

With this new backstory in place, Lucas decided that The Empire Strikes Back would be the second film of two trilogies, designating it Episode V by the fifth draft. Lawrence Kasdan had just completed writing Raiders of the Lost Ark, and the screenplay impressed Lucas, who hired him to write the next drafts with additional input from director Irvin Kershner. Kasdan, Kershner, and producer Gary Kurtz saw the film as a more serious and adult film, which was helped by the new, darker storyline, and developed the series from the light adventure roots of the first film.

Effects
After the release of Star Wars, ILM grew from being a struggling company and moved to Marin County, California. The Empire Strikes Back provided the company with new challenges. Whereas Star Wars mostly featured space sequences, The Empire Strikes Back featured not only space dogfights but also an ice planet battle opening sequence and elements of cities that floated among the clouds. For the battle scenes on the ice planet Hoth, the initial intent was to use bluescreen to composite the Imperial walkers into still-shots from the original set. Instead, an artist (Michael Pangrazio) was hired to paint landscapes, resulting in the Imperial walkers being shot using stop motion animation in front of the landscape paintings. The original designs for the AT-ATs were, according to Phil Tippett, "big armored vehicles with wheels". Many believe the finished design was inspired by the Port of Oakland container cranes, but Lucas denied this.

In designing the Jedi Master Yoda, Stuart Freeborn used his own face as a model and added the wrinkles of Albert Einstein for the appearance of exceptional intelligence. Sets for Dagobah were built five feet above the stage floor, allowing puppeteers to crawl underneath and hold up the Yoda puppet. The setup presented communication problems for Frank Oz, who portrayed Yoda, as he was underneath the stage and unable to hear the crew and Mark Hamill above. Hamill later expressed his dismay at being the only human character on set for months; he felt like a trivial element on a set of animals, machines, and moving props. Kershner commended Hamill for his performance with the puppet.

Filming
Filming began in Norway, at the Hardangerjøkulen glacier near the town of Finse, on March 5, 1979. Like the filming of Star Wars, where the production in Tunisia coincided with the area's first major rainstorm in fifty years, the weather was against the film crew. While filming in Norway, they encountered the worst winter storm in fifty years. Temperatures dropped to −20 F, and 18 ft of snow fell. On one occasion, the crew were unable to exit their hotel. They achieved a shot involving Luke's exit of the Wampa cave by opening the hotel's doors and filming Mark Hamill running out into the snow while the crew remained warm inside. Mark Hamill's face was scarred in a motor accident that occurred between filming of Star Wars and The Empire Strikes Back. Despite reports to the contrary, the scene in which Luke is knocked unconscious by the Wampa was not added specifically to explain this change to Hamill's face. Lucas admitted that the scene "helped" the situation, though he felt that Luke's time fighting in the rebellion was sufficient explanation.

The production moved to Elstree Studios in London on March 13, where over 60 sets were built, more than double the number used in the previous film. A fire in January on Stage 3 (during filming of Stanley Kubrick's The Shining) forced the budget to be increased from $18.5 million to $22 million, and by July the budget increased $3 million more. Filming finished by mid-September.

The film includes a brief image of Vader with his mask off, facing away from the camera. For the original viewers of the film, this scene made it clear that Vader is not a droid.

The script contained a scene in which Princess Leia professed her love to Han Solo, with Han replying "I love you too." Harrison Ford felt the characterization was not being used effectively, and Kershner agreed. After several takes, the director told the actor to improvise on the spot, and Ford changed Solo's line to "I know."

During production, great secrecy surrounded the fact that Darth Vader was Luke's father. Like the rest of the crew, Prowse—who spoke all of Vader's lines during filming—was given a false page that contained dialogue with the revelatory line being, "No. Obi-Wan killed your father." Hamill was informed just moments before cameras rolled on his close-up, and did not tell anyone, including his wife; according to Hamill, Ford did not learn the truth until he watched the film.

To preserve the dramatic opening sequences of his films, Lucas wanted the screen credits to come only at the end. While this practice has become more common over the years, this was relatively unusual at the time. The Writers and Directors guilds of America had no problem allowing it on Star Wars, back in 1977, because the writer-director credit (George Lucas) matched the company name. However, when Lucas did the same thing for the sequel, it became an issue because they viewed the company credit (Lucasfilm) as displaying Lucas' name at the start of the film, while the director and writers had theirs on the end. The guilds fined him over $250,000 and attempted to pull Empire out of theaters. The DGA also attacked Kershner; to protect his director, Lucas paid all the fines to the guilds. Due to the controversy, he left the Directors and Writers guilds, and the Motion Picture Association.

The initial production budget of $18 million was 50 percent more than that of the original. After the various increases in budget, The Empire Strikes Back became one of the most expensive films of its day and after the bank threatened to call in his loan, Lucas was forced to approach 20th Century Fox. Lucas made a deal with the studio to secure the loan in exchange for paying the studio more money, but without the loss of his sequel and merchandising rights. After the film's box office success, unhappiness at the studio over the deal's generosity to Lucas caused studio president Alan Ladd, Jr. to quit. The departure of his longtime ally caused Lucas to take Raiders of the Lost Ark to Paramount Pictures.

Themes
Like its predecessor, The Empire Strikes Back draws from several mythological stories and world religions. It also includes elements of 1930s film serials such as Flash Gordon, a childhood favorite of Lucas', that similarly featured a city afloat in the sky.

Releases
The world premiere of The Empire Strikes Back was held on May 17, 1980, at the Kennedy Center in Washington, D.C. (as a special Children's World Premiere event). The film had a Royal Charity Premiere in London at the Odeon Cinema in Leicester Square on May 20. The special event was dubbed "Empire Day", a playful take the British Commonwealth Day holiday (known as Empire Day prior to 1958), where legions of stormtroopers were unleashed across the city. A series of other charity benefit premieres were held in numerous locations on May 19 and 20. The film went on to official general release in North America and the U.K. on May 21, 1980. The first wave of release included 126 70 mm prints, before a wider release in June 1980 (which were mostly 35 mm prints). During the initial theatrical run in Europe and Australia, the short film Black Angel by Star Wars art director Roger Christian was shown before the feature.

Though the film was simply titled The Empire Strikes Back in its original promotional materials, the film still started with the title Star Wars on-screen which was followed by the opening crawl that gave the film's subtitle as Episode V: The Empire Strikes Back, causing some surprise among cinema goers at the time as the original Star Wars film had not been given an episode number or subtitle for its first release in 1977. However, Episode IV: A New Hope was added to its opening crawl from its 1981 re-release onwards. Like A New Hope, The Empire Strikes Back was rated PG by the Motion Picture Association of America, and certificate U in the United Kingdom. This original version was released on CED in 1984 and on VHS and Laserdisc several times during the 1980s and 1990s.

When the film debuted on television, it was preceded by a second-person introduction by Darth Vader, which was framed as an interruption of the Earth broadcast by the Galactic Empire.

Special Edition
As part of Star Wars's 20th anniversary celebration in 1997, The Empire Strikes Back was digitally remastered and re-released along with Star Wars and Return of the Jedi under the title Star Wars Trilogy: Special Edition. Lucas took this opportunity to make several minor changes to the film. These included explicitly showing the Wampa creature on Hoth in full form, creating a more complex flight path for the Falcon as it approaches Cloud City, digitally replacing some of the interior walls of Cloud City with vistas of Bespin, and replacing certain lines of dialogue. A short sequence was also added depicting Vader's return to his Super Star Destroyer after dueling with Luke, created from alternate angles of a scene from Return of the Jedi. Most of the changes were small and aesthetic. Some fans believe that the changes to the film were less detrimental than that of the other two entries in the trilogy.

The film was also resubmitted to the MPAA for rating; it was again rated PG, but under the Association's new description nomenclature, the reason given was for "sci-fi action/violence". This version of the film runs 127 minutes.

Home media
The Empire Strikes Back was released on DVD in September 2004, bundled in a box set with A New Hope, Return of the Jedi, and a bonus disc of extra features. The films were digitally restored and remastered, with additional changes made by George Lucas. The bonus features include a commentary by George Lucas, Irvin Kershner, Ben Burtt, Dennis Muren, and Carrie Fisher, as well as an extensive documentary called Empire of Dreams: The Story of the Star Wars Trilogy. Also included are featurettes, teasers, trailers, TV spots, still galleries, video game demos, and a preview of Revenge of the Sith.
 * DVD release

For the DVD release, Lucas and his team made changes that were mostly implemented to ensure continuity between The Empire Strikes Back and the recently released prequel trilogy films. The most noticeable of these changes was replacing the stand-in used in the holographic image of the Emperor (with Clive Revill providing the voice) with actor Ian McDiarmid providing some slightly altered dialogue. With this release, Lucas also supervised the creation of a high-definition digital print of The Empire Strikes Back and the original trilogy's other films. It was reissued in December 2005 as part of a three-disc "limited edition" boxed set that did not feature the bonus disc.

The film was reissued again on a separate two-disc Limited Edition DVD for a brief time from September 12, 2006, to December 31, 2006, this time with the film's original, unaltered version as bonus material. It was also re-released in a trilogy box set on November 4, 2008. There was controversy surrounding the initial release, because the DVDs featured non-anamorphic versions of the original films based on LaserDisc releases from 1993 (as opposed to newly remastered, film-based, high-definition transfers). Since non-anamorphic transfers fail to make full use of the resolution available on widescreen televisions, many fans were disappointed with this choice.

On August 14, 2010, George Lucas announced that all six Star Wars films in their Special Edition form would be released on Blu-ray Disc in Fall 2011. On January 6, 2011, 20th Century Fox Home Entertainment announced the Blu-ray release for September 2011 in three different editions.
 * Blu-ray release

On April 7, 2015, Walt Disney Studios, 20th Century Fox, and Lucasfilm jointly announced the digital releases of the six released Star Wars films. Walt Disney Studios Home Entertainment released The Empire Strikes Back through the iTunes Store, Amazon Video, Vudu, Google Play, and Disney Movies Anywhere on April 10, 2015. All six films will be available for streaming on Disney+ within the first year of the service's launch.
 * Digital release

Box office
The film grossed $6,415,804 on its opening weekend in limited release on 126 screens. After four weeks on release, it expanded to 824 screens and grossed $10,840,307 for the weekend setting a new weekly record of $20,380,052. Within three months of the release of The Empire Strikes Back, Lucas had recovered his $33 million investment and distributed $5 million in bonuses to employees. It earned $181,379,640 during its first run in the United States and Canada.

It was re-released on July 31, 1981 and grossed a further $26,758,774 and again on November 19, 1982 with a gross of $14,535,852 to bring its gross to $222,674,266 and about $450 million worldwide.

When The Empire Strikes Back returned to cinemas in 1997, it grossed $21,975,993 on its first weekend of re-release. As of 2007, the film has grossed $290,475,750 domestically and $538,375,067 worldwide. 35 years after the film's initial release, it re-entered the UK box office at number 9 grossing $470,000 from June 4–7, 2015.

Critical response
The Empire Strikes Back initially received mixed reviews from critics upon release. For example, Vincent Canby of The New York Times wrote a largely negative review of the film. David Denby of New York magazine called the film "a Wagnerian pop movie—grandiose, thrilling, imperiously generous in scale, and also a bit ponderous". Judith Martin of The Washington Post criticized the film's "middle-of-the-story" plot, which she claimed had no particular beginning or end. However, this was a concept that Lucas had intended.

The film's reputation improved over the years, and Episode V is now widely considered one of the best films of all time. According to the review aggregator website Rotten Tomatoes, 95% of critics have given the film a positive review based on 94 reviews, with an average rating of 8.93/10. The site's critics consensus reads: "Dark, sinister, but ultimately even more involving than A New Hope, The Empire Strikes Back defies viewer expectations and takes the series to heightened emotional levels." At Metacritic, the film has a weighted average score of 82 out of 100 based on 25 critics, indicating "universal acclaim". Bob Stephens of The San Francisco Examiner described The Empire Strikes Back as "the greatest episode of the Star Wars Trilogy" in 1997. In 2016, James Charisma of Playboy ranked the film #3 on a list of 15 Sequels That Are Way Better Than The Originals. Roger Ebert described the film as the strongest and "most thought-provoking" film of the original trilogy.

Writing for Empire Magazine, Ian Nathan gave the film a five-star rating proclaiming "it's generally agreed that The Empire Strikes Back is the best film of George Lucas' initial trilogy (despite a latter-day shift toward the original's storytelling purity). Not a sequel as such, but the next part of a continuing story, Empire marks enormous progression both in terms of the mythos of the series and in the filmmaking quality itself." In 2014, the magazine's readers voted for the film as the greatest movie ever made, based on 250,000 votes.

Chuck Klosterman suggested that while "movies like Easy Rider and Saturday Night Fever painted living portraits for generations they represented in the present tense, The Empire Strikes Back might be the only example of a movie that set the social aesthetic for a generation coming in the future."

Accolades
At the 53rd Academy Awards, The Empire Strikes Back won the award for Best Sound, which was awarded to Bill Varney, Steve Maslow, Gregg Landaker, and Peter Sutton. In addition, the film received the Special Achievement Academy Award for Best Visual Effects that was awarded to Brian Johnson, Richard Edlund, Dennis Muren, and Bruce Nicholson. Composer John Williams was also nominated for Best Original Score, and Norman Reynolds, Leslie Dilley, Harry Lange, Alan Tomkins, and Michael Ford were nominated for Best Art Direction.

In addition, John Williams was awarded the British Academy Film Award for his compositions: the Anthony Asquith Award for Film Music. The Empire Strikes Back also received British Academy Film Award nominations for Best Sound and Best Production Design.

Williams was also nominated for a Grammy Award and a Golden Globe Award for his musical score of the film.

The Empire Strikes Back received four Saturn Awards, for Mark Hamill as Best Actor, Irvin Kershner for Best Director, Brian Johnson and Richard Edlund for Best Special Effects, and the Saturn Award for Best Science Fiction Film.

The Empire Strikes Back won the Hugo Award for Best Dramatic Presentation. The film was nominated for the Writers Guild of America Award for Best Adapted Screenplay.

The Empire Strikes Back was awarded the Golden Screen Award in Germany.

Legacy
Darth Vader was ranked as the third-greatest film villain of all time in the American Film Institute's 2003 list of the 100 greatest heroes and villains, and Wizard magazine selected the ending of The Empire Strikes Back as the greatest cliffhanger of all time.

The line "No, I am your father" is often misquoted as "Luke, I am your father." The line was selected as one of the 400 nominees for the American Film Institute's 100 Years... 100 Movie Quotes, a list of the greatest American film quotes. Yoda's statement to Luke Skywalker, "Try not! Do, or do not. There is no try", was also a nominee for the same list by the AFI.

The film was selected in 2010 to be preserved by the Library of Congress as part of its National Film Registry. 35mm reels of the 1997 Special Edition were initially presented for preservation because of the difficulty of transferring from the original prints, but it was later revealed that the Library possessed a copyright deposit print of the original theatrical release.

In the 2014 Empire Magazine list, "The 301 Greatest Movies of All Time" voted by fans, The Empire Strikes Back was named as the greatest film ever made.

American Film Institute lists
 * AFI's 100 Years...100 Movies – Nominated
 * AFI's 100 Years...100 Thrills – Nominated
 * AFI's 100 Years...100 Heroes and Villains:
 * Darth Vader – No. 3 Villain
 * AFI's 100 Years...100 Movie Quotes:
 * "I am your father." – Nominated
 * "Do, or do not. There is no try." – Nominated
 * AFI's 100 Years...100 Movies (10th Anniversary Edition) – Nominated

Soundtrack
The musical score of The Empire Strikes Back was composed and conducted by John Williams, and it was performed by the London Symphony Orchestra at a cost of about $250,000. In 1980, the company RSO Records published this film's original musical score as both a double LP album and as an 8-track cartridge in the United States. Its front cover artwork features the mask of Darth Vader against a backdrop of outer space, as seen on the advance theatrical poster for the film.

In 1985, the first Compact disc (CD) issue of the film score was made by the company Polydor Records, which had absorbed both RSO Records and its music catalog. Polydor Records used a shorter, one compact-disc edition of the music as their master. In 1993, 20th Century Fox Film Scores released a special boxed set of four compact discs: the Star Wars Trilogy: The Original Soundtrack Anthology. This anthology included the film scores of all three members of the original Star Wars Trilogy in separate CDs, even though there was significant overlap between the three (such as the Star Wars theme music).

In 1997, the record company RCA Victor released a definitive two-CD set to accompany the publications of all three of the Special Editions of the films of the Star Wars Trilogy. This original limited-edition set of CDs featured a 32-page black booklet that was enclosed within a protective outer slip-case. The covers of the booklet and of the slip-case have selections from the poster art of the Star Wars Trilogy: Special Edition. All of the tracks have been digitally re-mastered supposedly for superior clarity of sound.

RCA Victor next re-packaged the Special Edition set later on in 1997, offering it in slim-line jewel case packaging as an unlimited edition, but without the packaging that the original "black booklet" version offered.

In 2004, the Sony Classical Records company purchased the sales rights of the original trilogy's musical scores—primarily because it already had the sales rights of the music from the trilogy of prequels: The Phantom Menace, Attack of the Clones, and Revenge of the Sith. Hence in 2004, the Sony Classical company began manufacturing copies of the film-score CDs that RCA Victor had been making since 1997, including the one for The Empire Strikes Back. This set was made with new cover artwork similar to that of the film's first publication on DVD. Despite the digital re-mastering by Sony Classical, their CD version made and sold since 2004 is essentially the same as the version by RCA Victor.

Novelization
A novelization of the film was released on April 12, 1980, and published by the company Del Rey Books. The novelization was written by Donald F. Glut, and it was based on the screenplay by Lawrence Kasdan, Leigh Brackett, and George Lucas.

This novelization was originally published as Star Wars: The Empire Strikes Back. However, the later editions have been renamed Star Wars Episode V: The Empire Strikes Back to conform with the change in the titles of the Star Wars saga. Like the other novelizations of the Star Wars Trilogy, background information is added to explain the happenings of the story beyond that which is depicted on-screen.

Comic book adaptation
Marvel Comics published a comic book adaptation of The Empire Strikes Back which was written by Archie Goodwin and illustrated by Al Williamson and Carlos Garzon. It was published simultaneously in four formats: as a magazine (Marvel Super Special #16), an oversized tabloid edition (Marvel Special Edition Featuring Star Wars: The Empire Strikes Back), as part of a serialized comic book series, and as a paperback pocket book. In the paperback and tabloid versions, which were published first and for which early concept designs were the only available art reference, Yoda was given a quite different appearance than in the films: Yoda is thinner, he has long white hair, and he has purple skin, rather than green skin. For the magazine and serialized comic book editions, there was enough time for the artwork featuring Yoda to be revised extensively, and his appearance was changed to match that in the film.

Comic book historians and industry professionals have remarked that Marvel's Star Wars comics published in the years before The Empire Strikes Back include plot points similar to those later used in the film, such as the Empire's counter-strike against the rebels after the destruction of the Death Star. However, the film's makers have not acknowledged receiving any inspiration from the comic books.

Japanese artist Toshiki Kudo also adapted it into a manga comic book.

Book-and-record set
Lucasfilm adapted the story for a children's book-and-record set. Released in 1980, the 24-page Star Wars: The Empire Strikes Back read-along book was accompanied by a 33⅓ rpm 7-inch gramophone record. Each page of the book contained a cropped frame from the film with an abridged and condensed version of the story. The record was produced by Buena Vista Records.

Video games
Video games based on the film have been released on several consoles. Additionally, several Star Wars video games feature or mention key events seen in the film, but are not entirely based upon the film. In 1982 Parker Brothers released Star Wars: The Empire Strikes Back for the Atari 2600 games console, which featured the speeder attack on the AT-ATs on Hoth. The arcade game Star Wars: The Empire Strikes Back followed in 1985. The game features familiar battle sequences and characters played from a first-person perspective. Specific battles include the Battle of Hoth and the subsequent escape of the Millennium Falcon through an asteroid field. A conversion was released in 1988 for the ZX Spectrum, Amstrad CPC, Commodore 64, BBC Micro, Atari ST, and Commodore Amiga.

In 1992, JVC released the LucasArts-developed video game also titled Star Wars: The Empire Strikes Back for the Nintendo Entertainment System (NES) console. The player assumes the role of Luke Skywalker and maneuvers through Skywalker's story as seen in the film. In 1992, Ubisoft released a version for the Game Boy. Like its previous incarnation, it follows the story of Luke Skywalker. Super Star Wars: The Empire Strikes Back was developed for the console Super Nintendo Entertainment System (SNES) by LucasArts and was released by JVC in 1993. The SNES game is similar in spots to the 1991 NES release, and is on a 12-megabit cartridge.

Radio adaptation
A radio play adaptation of The Empire Strikes Back was written by Brian Daley, and was produced for and broadcast on the National Public Radio network in the U.S. during 1983. It was based on characters and situations created by George Lucas, and on the screenplay by Leigh Brackett and Lawrence Kasdan. Its director was John Madden, with sound mixing and post-production work done by Tom Voegeli.

Mark Hamill, Billy Dee Williams, and Anthony Daniels reprised their roles as Luke Skywalker, Lando Calrissian, and C-3PO respectively, with John Lithgow voicing Yoda. This radio play was designed to last for five hours of radio time, usually presented in more than one part. Radio agencies estimate that about 750,000 people tuned in to listen to this series radio play beginning on February 14, 1983. In terms of the canonical Star Wars story, this radio drama has been given the highest designation, G-canon.